Austin Gallery
Art SuppliesJune 26, 2026Updated June 26, 202612 min read

Best Large-Format Printers for Artists (2026): Make Prints You Can Actually Sell

Owning your printing means on-demand prints, full quality control, and keeping the margin. We rank the best 13", 17", and 24" machines — and explain the dye-vs-pigment choice that decides whether your prints are archival.

By Austin Gallery · How we research

★ Our Top Pick

Canon imagePROGRAF PRO-1100 (17")

Canon imagePROGRAF PRO-1100 (17")

Archival pigment, 17", in stock: the print-seller's workhorse.

$1,299.00rated 4.7/5 in our review

Not sure yet? Compare all 5 picks below ↓

Owning your printing is one of the highest-leverage moves an artist can make: instead of paying a print shop per piece and waiting on turnaround, you print on demand, control the quality, and keep the margin. But "large-format printer" covers everything from a $550 desktop to a $2,400 wide-format machine, and picking wrong means either overspending or making prints you can't honestly sell.

The one decision that matters most is dye vs. pigment ink. Dye inks (like the Canon PRO-200S) are cheaper and produce gloriously vivid color, but they fade faster in light. Pigment inks (the Canon PRO-1100, PRO-310, Epson P900) resist fading for 100+ years on archival paper, which is exactly what lets you market a print as "archival" or giclée and charge a premium. If you're selling to collectors, you want pigment. If you're starting out with vibrant color work, dye gets you earning sooner.

The second decision is width: 13" covers the print sizes most buyers actually want (up to 13×19"), 17" adds bigger sheets and longer panoramas, and 24" is for posters and large editions. Below we rank the best at each tier, then explain how to choose — and once your prints are made, our guide to selling art online covers pricing and where to sell them. Every link goes to Amazon with our affiliate tag; we earn a small commission at no cost to you.

Best Overall Fine-Art PrinterOur Pick

Max width

17" (up to 17×22" sheets)

Inks

11-color LUCIA PRO II pigment + Chroma Optimizer

Archival

100+ year fade resistance (archival paper)

Strength

Best-in-class black & white

Connectivity

Wi-Fi, USB, Ethernet

Pros

  • Archival pigment inks: true giclée-quality, fade-resistant prints
  • 17" handles the sizes that actually sell
  • Reference-grade black-and-white prints
  • Chroma Optimizer evens gloss differential

Cons

  • 11 ink tanks add up
  • Large desktop footprint
  • Rewards regular use (idle heads need cleaning cycles)

If you're serious about selling prints, the Canon imagePROGRAF PRO-1100 is the 17-inch pigment printer to buy right now. It runs an 11-color LUCIA PRO II pigment set plus a Chroma Optimizer that evens out gloss, and it lays down deep blacks, a wide color gamut, and smooth tones on everything from glossy photo paper to heavy cotton rag. Canon's long-standing strength is black-and-white printing, so if you sell monochrome photography or ink drawings, its neutral grayscale is a real bonus.

Why pigment matters for selling: pigment inks are rated to resist fading for 100+ years on archival paper. That's what lets you honestly call a print "archival" or giclée and price it accordingly. A dye print that fades in a sunny room can't make that promise.

At 17 inches wide it handles the print sizes that actually sell, up to 17×22" sheets. Its main rival, the Epson SureColor P900, is listed as currently unavailable on Amazon (checked September 28, 2026), which makes the PRO-1100 the 17-inch pigment machine you can actually order today.

What we don't like

Pigment ink and a 17" machine are an investment: the printer itself, then ink and quality paper on top. Canon's individual ink tanks are excellent but not cheap to refill across 11 channels, and it's a big machine that wants a dedicated spot on the desk. It's overkill if you only print occasionally or sell small 8×10s.

Epson Alternative (Check Stock)

Max width

17" (17×22" sheets + roll)

Inks

10-ink UltraChrome PRO10 pigment

Archival

100+ year fade resistance (archival paper)

Availability

Currently unavailable on Amazon

Pros

  • Archival pigment inks with strong black-and-white
  • Compact for a 17-inch printer

Cons

  • Currently unavailable on Amazon
  • Photo and matte black share a channel

The Epson SureColor P900 is the PRO-1100's long-time rival, and many fine-art photographers and printmakers still prefer it. Its 10-ink UltraChrome PRO10 pigment set is pro-grade and well regarded for black-and-white, and it's more compact than the Canon, so it fits on a normal desk.

The catch: Amazon currently lists the P900 as unavailable (checked September 28, 2026), and we could not find an in-stock listing or a direct successor there. If you already own Epson papers and profiles, check stock before you plan around it. If it isn't available, the Canon PRO-1100 above is the 17-inch pigment printer to buy.

What we don't like

Amazon lists it as currently unavailable. Beyond stock, 10 inks vs the Canon's 11 means a slightly narrower gamut, and photo and matte black share a channel, so switching between glossy and matte papers costs a little ink.

Best 13" Pigment Printer

Max width

13" (up to 13×19")

Inks

Pigment (archival)

Archival

Fade-resistant, giclée-capable

Best for

13×19" and smaller print editions

Connectivity

Wi-Fi, USB

Pros

  • Archival pigment quality at a 13" price
  • Covers the print sizes most buyers want
  • Far cheaper to buy and run than a 17"

Cons

  • 13" max — no large sheets
  • Pigment ink costs more than dye

The PRO-310 is the smart middle path: archival pigment inks like the big 17" machines, but in a 13"-wide body that costs and weighs a lot less. You give up the largest sheet sizes, but you keep the thing that actually matters for selling — true fade-resistant, giclée-quality prints up to 13×19".

The sweet spot for most print sellers: 13×19" covers the overwhelming majority of prints people actually buy (8×10, 11×14, 12×18, 13×19). If you're not selling poster-sized work, a 13" pigment printer like this gets you archival quality without the 17" price.

It's the printer to buy when you want to make prints you can honestly market as archival, but a $1,100+ machine is more than your volume justifies yet.

What we don't like

Capped at 13" wide, so no 16×20" or larger sheets — if you plan to sell big, start with a 17". Pigment ink is still pricier per page than dye.

Best Value / Entry PointBest Value

Max width

13" (up to 13×19")

Inks

8-ink dye-based

Color

Extremely vivid, especially on gloss

Archival

Good indoors; not archival-grade

Best for

Starting out, vibrant color work

Pros

  • Stunning, vivid color for about $550
  • Lowest-cost way to start selling prints
  • Fast, easy, beautiful on glossy paper

Cons

  • Dye isn't archival — fades faster in sun
  • 13" max width

The PRO-200S is the best way to start selling prints without a four-figure outlay. It's a dye-based 13" printer, and dye inks produce gorgeous, punchy, saturated color — often more immediately vivid than pigment, especially on glossy paper. For vibrant photography, bold illustration, and anime/poster-style art, the results are stunning straight out of the box.

The honest trade-off — dye vs. pigment: dye prints are more vivid but less lightfast than pigment, so they fade faster in direct sun. For prints that live in normal indoor light (and most do), they last years; for "archival, 100-year" claims and gallery sales, you want pigment. Price and sell accordingly.

It's the printer to buy first, learn on, and earn with — then graduate to a pigment machine once your volume and price points justify it.

What we don't like

Dye inks aren't archival-grade, so don't market these as 100-year prints, and warn buyers to keep them out of direct sunlight. 13" max width caps your sizes.

Austin Art Insider

Free weekly guide to galleries, exhibitions & collecting in Austin.

Best for Going Big (24")

Max width

24" (sheet + roll)

Inks

UltraChrome pigment

Format

Roll feeder for panoramas / volume

Archival

Fade-resistant pigment

Best for

Posters, large editions, 24" reproductions

Pros

  • 24" width unlocks posters and large reproductions
  • Roll feeder for panoramas and volume
  • Archival pigment even at large sizes

Cons

  • Biggest cost + footprint here
  • Roll workflow learning curve

When you need to sell posters, large open editions, or oversized reproductions, you need width — and the T3170x prints up to 24" wide on both sheets and rolls. It's a different tool than the photo printers above: built for volume and large format, with a roll feeder that makes long panoramas and big editions practical.

It uses Epson's UltraChrome pigment inks, so large prints are still fade-resistant — important when a single big piece sells for real money. This is the printer for artists whose work is meant to be seen big.

What we don't like

It's the biggest investment here and a large machine that needs real space — overkill unless you're genuinely selling big or in volume. Roll workflow has a learning curve versus dropping in a sheet.

How we
chose

We ranked these by what makes a printer worth owning as an artist trying to sell prints — not by spec-sheet superlatives:

  • Archival ability first. Whether a print fades determines whether you can honestly call it archival and price it for collectors. We led with pigment machines and were explicit about where dye fits.
  • The sizes that actually sell. We matched each printer's max width to real print sizes buyers purchase (8×10 through 24" posters), so you don't overbuy width you won't use.
  • Total cost of ownership. The printer is the down payment; ink and paper are the mortgage. We flagged ink-channel counts and running costs, not just sticker price.
  • Real working reputation. We favored the machines that actual print sellers — Etsy shops, gallery photographers, printmakers — rely on day to day.
  • Honest trade-offs. We say plainly when a cheaper dye printer is the right first buy and when you genuinely need pigment or 17"+ width.

Share this guide

Share

Common Questions

Frequently Asked Questions

Have art
to sell?

Austin Gallery specializes in selling inherited art, estate collections, and fine art with zero upfront fees. Get a free evaluation today.